My novella "The Emotionless, in Love" accepted by Beneath Ceaseless Skies

Art I created for a special limited edition of "Blood Grains Speak Through Memories."

Art I created for a special limited edition of "Blood Grains Speak Through Memories."

Great news! My novella "The Emotionless, in Love" has been accepted by Beneath Ceaseless Skies. The novella is a stand-alone sequel to my novelette "Blood Grains Speak Through Memories," which was a finalist for the Nebula Award and also made the Hugo Award longlist.

The story focuses on Colton, the son of Frere-Jones Roeder from "Blood Grains..." When Colton was young his mother forced him to leave the life he'd always known and travel with a day-fellow caravan. But his mother's actions physically damaged Colton. Now he must fight to both become more human and to survive in a land where tiny microscopic machines dictate what is and is not acceptable behavior.

The novella will be released during BCS's Science-Fantasy Month 4, in February 2018.

Many thanks to Scott H. Andrews for both accepting the novella and giving great editorial feedback and suggestions on it. Also, many thanks to everyone in WriteShop, my writing group, for their equally great feedback. This is one of the most challenging stories I've ever written and I can't wait for people to read it.

Why the red pill doesn’t wake people to our world’s true reality

Note: Originally published in the March 2017 issue of the Czech SF/F magazine XB-1.


Few science fiction symbols are as powerful as red and blue pills. In the 1999 film The Matrix, the main character Neo is offered a choice of two pills to take. If he takes the red pill, the truth of an extremely painful reality will be revealed. If Neo takes the blue pill, he’ll return to his happy illusion of life.

As Morpheus tells Neo, “This is your last chance. After this, there is no turning back. You take the blue pill — the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill — you stay in Wonderland and I show you how deep the rabbit-hole goes.”

Since the release of The Matrix various political groups have seized on red and blue bills as a symbol describing people who have “woken” to their different belief systems. Among the many political groups using red and blue pills to describe what happens when someone understands and accepts their beliefs are anarchists, various progressive causes, environmentalists, the men’s rights movement, conservatives, neo-nazis, white supremacists, and many more.

Obviously all of these groups don’t possess the truth of reality, and some such as neo-nazis and white supremacists are so far from the truth that they wouldn’t recognize a red pill if it was shoved down their collective throats.

Despite this, I find it fascinating and disturbing that the red/blue pill symbol is seen as a metaphor for understanding the truth of reality. After all, The Matrix uses these pills in an extremely destructive manner. In the film once someone takes the red pill they are physically removed from the dream-like world the machines craft to keep humanity enslaved.

Despite being freed Neo and the other red pill people frequently return to the machine-crafted illusion most of humanity lives under, wanting to free their fellow humans from endless slavery. But to do this, Neo and his followers do almost as much harm as the machines they’re fighting.

As Morpheus says, “The Matrix is a system, Neo. That system is our enemy. But when you're inside, you look around, what do you see? Businessmen, teachers, lawyers, carpenters. The very minds of the people we are trying to save. But until we do, these people are still a part of that system and that makes them our enemy. You have to understand, most of these people are not ready to be unplugged. And many of them are so inured, so hopelessly dependent on the system, that they will fight to protect it.”

The truth of what the red pills reveal is boiled down to these words from Morpheus: “If you are not one of us, you are one of them.”

In The Matrix, this “us or them” belief means Neo and his band of followers slaughter any enslaved human who stands in their way, secure in the knowledge that theirs is the path of righteousness and that, in the end, they’ll reveal the truth to the world.

“If you are not one of us, you are one of them.” That’s a hell of a political statement. That’s the type of statement embraced by history’s worst political movements, movements which have killed millions in pursuits of their goals.

The Matrix is a great SF film, one of the best of the last few decades. But as political theory the film is extremely simplistic. After all, there’s a word for people who go through life with such an extreme “us or them” attitude: psychopaths.

While simplistic “us or them” arguments resonate with many people, our greatest achievements come when we put this attitude aside. When we stand with those we have disagreements with but with whom we can still find common ground.

And it’s this human determination to reach for common ground which makes me stay optimistic about the future. Because I believe in people. I believe most people try to do good and try build a better world.

This truth holds true in any successful community, be it a large, diverse community like the United States of America or a small community like SF film fans.

Our communities exist even when people disagree on issues. Our communities exist because we are more alike than different. Our communities exist because so many people make a decision to reject a red pill “us or them” view of the world.

And that’s one reality the red pill will never reveal to anyone who believes in a “us or them” world.

Podcast of "We Eat The Hearts That Come For You"

The Dunesteef Audio Fiction Magazine has released an audio version of my story "We Eat The Hearts That Come For You." Here's the story's teaser:

Brother Marrow has taken a monastic vow to live within the real world, and avoid opening his neural connection to the virtual, but one day something forces its way into his connection, and at the same time in the village below someone is killed…

Originally published in Jennifer Brozek's anthology Bless Your Mechanical Heart, "We Eat The Hearts..." has been called "a compelling story about love, loss, obsession, and perception."

Many thanks to Big and Rish, who have created a number of excellent audio versions of my stories in the past. And special thanks to Justin Charles for producing the story.

The story is available on streaming services, the Dunesteef website, and their YouTube channel.

"Nine Lattices of Sargasso" in Asimov's Science Fiction

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My science fiction novelette "Nine Lattices of Sargasso" is now available in the November/December 2017 issue of Asimov's Science Fiction. The novelette tells of a future where dreams and memories can be shared among people and the unintended consequences which result.

This is Asimov's final 40th Anniversary issue and includes a personal essay about my life-long connection with the magazine. Spoiler: I've been reading Asimov's for a long time. 

The issue is also a star-studded one, featuring fiction by Connie Willis, Greg Egan, Rick Wilber, Nick Wolven, Jack McDevitt, James Patrick Kelly, Michael Cassutt, Emily Taylor, Tom Purdom, James Gunn, Joel Richards, and Norman Spinrad.

Many thanks to Sheila Williams for accepting and publishing my story alongside so many of the authors I grew up reading in Asimov's.

The issue is currently available in bookstores. You can also purchase the e-book issue for Amazon's Kindle, the Nook, Google Play, and other platforms.

Year’s Best Science Fiction & Fantasy, 2017 Edition

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The Year’s Best Science Fiction & Fantasy 2017, edited by Rich Horton, is now available and includes my novelette "Blood Grains Speak Through Memories."  The novelette originally appeared in Beneath Ceaseless Skies and was a finalist for the Nebula Award.

And in a total "wow!" moment, Horton says in the book's introduction that I am "one of the most original and adventurous writers of strange sf for the past decade." Let me repeat: WOW!

Many thanks to Horton for the kind words and for selecting my story. The anthology is available from Amazon, Barnes & Noble, and other bookstores. 

Below is the anthology's table of contents.

  • “Seven Ways of Looking at the Sun-Worshippers of Yul-Katan” by Maggie Clark, Analog
  • “All that Robot Shit” by Rich Larson, Asimov’s
  • “Project Empathy” by Dominica Phetteplace, Asimov’s
  • “Lazy Dog Out” by Suzanne Palmer, Asimov’s
  • “The Visitor from Taured” by Ian R. MacLeod, Asimov’s
  • “Openness” by Alexander Weinstein, Beloit Fiction Journal
  • “In Skander, for a Boy” by Chaz Brenchley, Beneath Ceaseless Skies
  • “Laws of Night and Silk” by Seth Dickinson, Beneath Ceaseless Skies
  • “Blood Grains Speak Through Memories” by Jason Sanford, Beneath Ceaseless Skies
  • “Rager in Space” by Charlie Jane Anders, Bridging Infinity
  • “Ozymandias” by Karin Lowachee, Bridging Infinity
  • “The Bridge of Dreams” by Gregory Feeley, Clarkesworld
  • “Everyone from Themis Sends Letters Home” by Genevieve Valentine, Clarkesworld
  • “Things with Beards” by Sam J. Miller, Clarkesworld
  • “Innumerable Glimmering Lights” by Rich Larson, Clockwork Phoenix 5
  • “Between Nine and Eleven” by Adam Roberts, Crises and Conflicts
  • “Red of Tooth and Cog” by Cat Rambo, F&SF
  • “The Vanishing Kind” by Lavie Tidhar, F&SF
  • “A Fine Balance” by Charlotte Ashley, F&SF
  • “Empty Planets” by Rahul Kanakia, Interzone
  • “Fifty Shades of Grays” by Steven Barnes, Lightspeed
  • “I’ve Come to Marry the Princess” by Helena Bell, Lightspeed
  • “RedKing” by Craig deLancey, Lightspeed
  • “A Non-Hero’s Guide to The Road of Monsters” by A.T. Greenblatt,
  • Mothershipship Zeta
  • “Dress Rehearsal” by Adrian Tchaikovsky, Now We Are Ten
  • “The Plague Givers” by Kameron Hurley, Patreon
  • “Gorse Daughter, Sparrow Son” by Alena Indigo Anne Sullivan, Strange Horizons
  • “The Magical Properties of Unicorn Ivory” by Carlos Hernandez, The
  • Assimilated Cuban’s Guide to Quantum Santeria
  • “Something Happened Here, But We’re Not Quite Sure What It Was” by
  • Paul McAuley, Tor.com
  • “That Game We Played During the War” by Carrie Vaughn, Tor.com